We participated in an interdisciplinary conference about classical Greece celebrated in IES Norba on April, 22nd. The title of our presentation was "Greek attraction". It was focused on the attaction that British artists have always felt for Ancient Greece. We quickly revisited some Romantics poets and Pre-Rafaelist painters, and finally had a look at the world of cinema, sellecting a scene form "Troy".
Preparation for B1
(Picture by Laura Morán Domínguez, 1ºBCH.D)
domingo, 26 de abril de 2015
DON QUIXOTE ILLUSTRATED
In order to commemorate Cervantes and his universal novel, The Ingenious Gentleman Don Quixote of La Mancha, our Bilingual Section has prepared an exhibition with illustrations found in British editions of the book. We also found the translations into English of these adventures.
THE MADNESS OF
DON QUIXOTE (First part, chapter VII)
Description of
the illustration
THE ADVENTURE
OF THE WIND MILLS (First part, chapter VIII)
Description of the
illustration
THE TOSSING OF
SANCHO (First part, chapter XVII)
Description of the illustration
DOROTHEA
(First part, chapter XXVIII)
Description of the
illustration
THE DON
BATTLING WITH THE WINE SKINS (First part, chapter XXXV)
Description of
the illustration
THE DON
ENCHANTED IN THE CAGE (First part, chapter XLVII)
Description of the illustration
ADVENTURE OF
THE LIONS (Second part, chapter XVII)
Description of the
illustration
THE MADNESS OF
DON QUIXOTE (First part, chapter VII)
Description of
the illustration
Don Quixote in his nightshirt, in
profile to left, holding aloft his sword; two men seizing him, a woman clasping
his sword arm, a woman praying to left, a bed in the corner; second state. 1902
At this instant Don Quixote began shouting out,
"Here, here, valiant knights! here is need for you to put forth the might
of your strong arms, for they of the Court are gaining the mastery in the
tourney!" Called away by this noise and outcry, they proceeded no farther
with the scrutiny of the remaining books, and so it is thought that "The
Carolea," "The Lion of Spain," and "The Deeds of the
Emperor," written by Don Luis de Avila, went to the fire unseen and
unheard; for no doubt they were among those that remained, and perhaps if the
curate had seen them they would not have undergone so severe a sentence.
When they reached Don Quixote he was already out of
bed, and was still shouting and raving, and slashing and cutting all round, as
wide awake as if he had never slept.
They closed with him and by force got him back to bed,
and when he had become a little calm, addressing the curate, he said to him,
"Of a truth, Senor Archbishop Turpin, it is a great disgrace for us who
call ourselves the Twelve Peers, so carelessly to allow the knights of the
Court to gain the victory in this tourney, we the adventurers having carried
off the honour on the three former days."
THE ADVENTURE
OF THE WIND MILLS (First part, chapter VIII)
Description of the
illustration
Don Quixote on
horseback, wearing armour and holding a lance, falling of a ladder backwards
after attempting to attack a windmill, watched by a shocked man, carrying a
sack at right, and by Sancho Panza, approaching behind on the back of
Rosinante; more windmills in background; from a series of illustrations to Don
Quixote after Henry Alken. 1832
At this point they came in sight of thirty forty
windmills that there are on plain, and as soon as Don Quixote saw them he said
to his squire, "Fortune is arranging matters for us better than we could
have shaped our desires ourselves, for look there, friend Sancho Panza, where
thirty or more monstrous giants present themselves, all of whom I mean to
engage in battle and slay, and with whose spoils we shall begin to make our
fortunes; for this is righteous warfare, and it is God's good service to sweep
so evil a breed from off the face of the earth."
"What giants?" said Sancho Panza.
"Those thou seest there," answered his
master, "with the long arms, and some have them nearly two leagues
long."
"Look, your worship," said Sancho;
"what we see there are not giants but windmills, and what seem to be their
arms are the sails that turned by the wind make the millstone go."
THE TOSSING OF
SANCHO (First part, chapter XVII)
Description of the illustration
Sancho Panza in mid-air, receiving a blanket-tossing
outside an inn from six cheerful people, Don Quijote brandishing his lance in
anger from behind the wall to left; second state. 1902
The
ill-luck of the unfortunate Sancho so ordered it that among the company in the
inn there were four woolcarders from Segovia, three needle-makers from the Colt
of Cordova, and two lodgers from the Fair of Seville, lively fellows,
tender-hearted, fond of a joke, and playful, who, almost as if instigated and
moved by a common impulse, made up to Sancho and dismounted him from his ass,
while one of them went in for the blanket of the host's bed; but on flinging
him into it they looked up, and seeing that the ceiling was somewhat lower what
they required for their work, they decided upon going out into the yard, which
was bounded by the sky, and there, putting Sancho in the middle of the blanket,
they began to raise him high, making sport with him as they would with a dog at
Shrovetide.
DOROTHEA
(First part, chapter XXVIII)
Description of the
illustration
Dorothea, wearing breeches and a waistcoat, sitting by
a stream, looking distressed to the left; three men watching her from behind a
rock in the upper right corner. 1802
When Cardenio heard her say she was called Dorothea,
he showed fresh agitation and felt convinced of the truth of his former
suspicion, but he was unwilling to interrupt the story, and wished to hear the
end of what he already all but knew, so he merely said:
"What! is Dorothea your name, senora? I have
heard of another of the same name who can perhaps match your misfortunes. But
proceed; by-and-by I may tell you something that will astonish you as much as
it will excite your compassion."
Dorothea was struck by Cardenio's words as well as by
his strange and miserable attire, and begged him if he knew anything concerning
her to tell it to her at once, for if fortune had left her any blessing it was
courage to bear whatever calamity might fall upon her, as she felt sure that
none could reach her capable of increasing in any degree what she endured
already.
THE DON
BATTLING WITH THE WINE SKINS (First part, chapter XXXV)
Description of
the illustration
Don
Quixote in his night shirt, holding a blanket before him as a shield and with
his sword raised in the air, slashing open wine skins; the landlord with an
expression of rage on his face and about to punch him; the compay at the inn
gathering at the door, blocked by Sancho Panza, who stands crouched over, his
hands on his knees, breathing heavily; illustration to "Roscoe's
Novelist's Library vol. XIII, XIV and XV -The History and Adventures of the
Renowned Don Quixote" (1833)
There remained but little more of the novel to be
read, when Sancho Panza burst forth in wild excitement from the garret where
Don Quixote was lying, shouting, "Run, sirs! quick; and help my master,
who is in the thick of the toughest and stiffest battle I ever laid eyes on. By
the living God he has given the giant, the enemy of my lady the Princess
Micomicona, such a slash that he has sliced his head clean off as if it were a
turnip."
"What are you talking about, brother?" said
the curate, pausing as he was about to read the remainder of the novel.
"Are you in your senses, Sancho? How the devil can it be as you say, when
the giant is two thousand leagues away?"
Here they heard a loud noise in the chamber, and Don
Quixote shouting out, "Stand, thief, brigand, villain; now I have got
thee, and thy scimitar shall not avail thee!" And then it seemed as though
he were slashing vigorously at the wall.
"Don't stop to listen," said Sancho,
"but go in and part them or help my master: though there is no need of
that now, for no doubt the giant is dead by this time and giving account to God
of his past wicked life; for I saw the blood flowing on the ground, and the
head cut off and fallen on one side, and it is as big as a large
wine-skin."
"May I die," said the landlord at this,
"if Don Quixote or Don Devil has not been slashing some of the skins of
red wine that stand full at his bed's head, and the spilt wine must be what
this good fellow takes for blood;" and so saying he went into the room and
the rest after him, and there they found Don Quixote in the strangest costume
in the world.
THE DON
ENCHANTED IN THE CAGE (First part, chapter XLVII)
Description of the illustration
Don
Quixote, in a covered cage on board an ox-waggon stretching his hands through
the bars, surrounded by Dorothea and other ladies, all weeping and saying their
farewells; Don Fernando and his companions mounted on horses behind; to the
foreground, Sancho Panza saddling his ass; illustration to "Roscoe's
Novelist's Library vol. XIII, XIV and XV -The History and Adventures of the
Renowned Don Quixote" (1833)
When
Don Quixote saw himself caged and hoisted on the cart in this way, he said,
"Many grave histories of knights-errant have I read; but never yet have I
read, seen, or heard of their carrying off enchanted knights-errant in this
fashion, or at the slow pace that these lazy, sluggish animals promise; for
they always take them away through the air with marvellous swiftness, enveloped
in a dark thick cloud, or on a chariot of fire, or it may be on some hippogriff
or other beast of the kind; but to carry me off like this on an ox-cart! By
God, it puzzles me! But perhaps the chivalry and enchantments of our day take a
different course from that of those in days gone by; and it may be, too, that
as I am a new knight in the world, and the first to revive the already
forgotten calling of knight-adventurers, they may have newly invented other
kinds of enchantments and other modes of carrying off the enchanted. What thinkest thou of the matter, Sancho my son?"
ADVENTURE OF
THE LIONS (Second part, chapter XVII)
Description of the
illustration
Don
Quixote in suits of armour with a raised sword, stands next to a wheeled cage
containing a lion, lying in the opening of the cage, a man standing on the
right wheel of the cage, looking down on the lion, proof state; illustration to
Miguel de Cervantes' 'Don Quixote' (London, Cadell & Davies, 1818).
Don Quixote planted himself before it and said,
"Whither are you going, brothers? What cart is this? What have you got in
it? What flags are those?"
To this the carter replied, "The cart is mine;
what is in it is a pair of wild caged lions, which the governor of Oran is
sending to court as a present to his Majesty; and the flags are our lord the
King's, to show that what is here is his property."
"And are the lions large?" asked Don
Quixote.
"So large," replied the man who sat at the
door of the cart, "that larger, or as large, have never crossed from
Africa to Spain; I am the keeper, and I have brought over others, but never any
like these. They are male and female; the male is in that first cage and the female
in the one behind, and they are hungry now, for they have eaten nothing to-day,
so let your worship stand aside, for we must make haste to the place where we
are to feed them."
Hereupon, smiling slightly, Don Quixote exclaimed,
"Lion-whelps to me! to me whelps of lions, and at such a time! Then, by
God! those gentlemen who send them here shall see if I am a man to be
frightened by lions. Get down, my good fellow, and as you are the keeper open
the cages, and turn me out those beasts, and in the midst of this plain I will
let them know who Don Quixote of La Mancha is, in spite and in the teeth of the
enchanters who send them to me."
"So, so," said the gentleman to himself at
this; "our worthy knight has shown of what sort he is; the curds, no
doubt, have softened his skull and brought his brains to a head."
At this instant Sancho came up to him, saying,
"Senor, for God's sake do something to keep my master, Don Quixote, from
tackling these lions; for if he does they'll tear us all to pieces here."
miércoles, 11 de febrero de 2015
2015. INTERNATIONAL YEAR OF LIGHT. PROPERTIES OF LIGHT
Learn about properties of light and different materials:
2105. INTERNATIONAL YEAR OF LIGHT. LIGHT AND SHADOW
What the video to understand how shadows are formed from a source of light:
miércoles, 4 de febrero de 2015
THE FOREST PERSONALITY TEST
![]() |
| A SPLIT PERSONALITY |
Have a go at the Forest Personality Test our teacher Berta has just sent to our blog from busyteacher.org
Click HERE and download it or go throught it in our blog.
THANK YOU, BERTA!
Take a piece of paper and write down the answers.. The analysis is in
the end....
Situation:
You are in a deep, deep forest..... as you walk on .... you
saw an old hut standing there
(1) What is the status of the door? (Opened/closed)
You enter the hut and see a table...
(2) What is the shape of the table? (Round/Oval/Square/Rectangle/Triangle)
(3) How much water is it filled up with? (Full/Half/Empty)
(4) and what is the vase made of? (Glass/porcelain/clay)(metal/plastic/wood)
You walk out of the hut... as you carry on your walk in the forest... you
see a waterfall from far...
there is water running down...
(5) What is the speed of the water? (Choose a number ranging from 0 to 10)
Some time after the
waterfall..... you step on something hard on the ground..... as you look down...... you see glistening
gold in colour. You bend down and pick it up...... it
is a keychain chained with keys...
(6) How many key /keys you see hanging on the keychain? (Choose a number ranging from 1 to 10)
You walk on and on... trying to find your way out....... suddenly
you see a castle.
(7) What is the condition of the castle? (Old/new)
You enter the castle... and
saw a pool of murky water with ..... shining jewels floating on it...
(8) Will you pick up the jewels? (YES/NO)
Next to the murky pool... there's another pool... with clear water and money floating on
it...
(9) Will you pick up the money? (YES/NO)
Walking to the end of the
castle there is an exit... you
proceed to walk out of the castle. Outside the exit, there is big garden, ....... you see a box on the ground.
(10) What is the size of the box? (small/medium/big)
(11) What is the material of the box? (cardboard/paper/wooden/metal)
There is a bridge in the garden some distance
away from the box,
(12) What is the bridge made of? (metal/wooden/rattan)
Across the bridge,.... there is a horse.
(13) What is the colour of the horse? (white/grey/brown/black)
(14) What is the horse doing? (still and quiet/nibbling grass/running about)
OH NO!!! There is a tornado coming...... some distance from the horse. You have 3 options:
(i) run and hide in the box?
(ii) run and hide under the bridge?
(iii) run to the horse, ride on and gallop away?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Here are the interpretations:
(1) The door:
opened door - you are a person who is willing to
share
closed door - you are a person who is keeping
things to yourself
(2) The table:
Round/oval - any friends that come along, you
will accept and trust them completely
Square/rectangle - you are a bit more choosy on
friends and only hangout with those whom you think are
on the same frequency
Triangle - you are really very very picky about
friends and there are not many friends in your life
(3) Water in vase:
Empty - your life is not fulfilled
Half filled - what you want in your life is half
fulfilled
Full - your life is completely fulfilled and
good for you! :)
(4) Material of vase:
glass/clay/porcelain - you are weak in your life
and tends to be fragile
metal/plastic/wood - you are strong in your life
(5) Flow of waterfall:
0 - no sex drive at all
1 to 4 - low sex drive
5 - average sex drive
6 to 9 - high sex drive
10 - gone case!!! super high sex drive!!! Can't
live without sex...
(6) Keys:
1 - you have one good friend in your life
2 to 5 - you have a few good friends in your
life
6 to 10 - you have a lot good friends
(7) Castle:
Old - shows that your last relationship is not a
good one and is not memorable to you.
New - your last relationship is good and it's
still fresh in your heart.
(8) The jewel from the murky pool water:
YES - when your partner is around you, you will flirt around with others.
NO - when your partner is around, you will stick
around with him/her most of the time.
(9) The money from the clear water pool:
YES - even when your partner is not around you, you will still flirt around with others.
NO - even when your partner is not around, you
will still think of her and will be loyal to her, not flirting around with others.
(10) The size of the box:
small - low ego
medium - average ego
big - high ego
(11) Material of the box (outlook of the box):
cardboard/paper/wooden(non-shining) - humble
personality
metal - proud and stuck up personality
(12) The material of the bridge:
metal bridge - have very strong bond with your
friends
wooden bridge - average bond with your friends
rattan bridge - you are not in good terms with
your friends
(13) Colour of the horse:
white - your partner is pure and good in your
heart.
grey/brown - your partner is only average in
your heart.
black - your partner doesn't seem to be good in
your heart and appears to be bad sign.
(14) Horse action:
still and quiet/nibbling grass - your partner is
a very homely and humble person.
running about - your partner is a wild type
person.
This the last but most important part of the
test. From how I ended the story... a
tornado approaches...
What are you going do? There are only 3 options:
(i) run and hide in the box? (ii) run and hide
under the bridge? (iii) run to the horse, ride on and gallop away?
What will you choose?
Now, the above is signified by these things:
tornado - problems in your life
box - you
bridge - your friends
horse - your partner
(i) So if you choose the box, you keep your problems to yourself whenever you are met
with problems.
(ii) or if you choose the bridge, you will go to your friends whenever you are met
problems.
(iii) or lastly if you choose the horse, you
seek your partner whenever you are met with problems.
So if you think this is worth to take some time
to send it to your friends, then you are a friend indeed.
Or you think it is kind of true, you can also
send it to your friends cause you are true too.
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